Ceramic hedgehog sculpture
Little ceramic hedgehog sculptures made to bring you joy!
Designed to be held and loved, each hedgehog starts as a lump of clay which I shape and form by hand.
- Handcrafted stoneware ceramic hedgehog, individually shaped and glazed by me
- Perfect palm size and reassuringly robust to hold
- Each one is genuinely unique with its own personality and character
♻️ PACKAGING
- Comes already gift wrapped in a posh box
- Free personalised gift message
- All packaging materials are recycled and recyclable
About this Hedgehog Sculpture
Hedgehogs are a never ending source of amusement and joy for me.
There are two local hedgehog rescues that I often transport and raise funds for so I’m lucky enough to have held and been up close to them.
I remember watching my first ever release on camera. She came out of the hedgehog house then froze before frightening herself into a ball by sneezing. She soon uncurled and off she toddled into the night.
How the ceramic collectable critters are made
All of my sculptures are born from mud. It’s fancy mud with added stuff in it, but it’s essentially mud.
Once I’ve prepped the clay, I create two identical spheres.
Using the pinch-pot technique I make them into two bowls, which are then scored and joined.
Once the hollow sphere is a little firmer, I then create the shape of the critter by smoothing it with my hands.
After which I’ll add details like the eyes.
Once they’ve dried off a bit I can refine them further, and once completely dry I can give them a last smoothing.
Bisque Firing
When I’m happy with them I carefully load the kiln – which I like to pre-heat for a few hours just to make sure there’s no moisture left in the clay that might cause any explosions.
The temperature will then steadily rise to about 1050°C then left to cool for about 24 hours before I can empty it.
Underglazing
Once cooled (usually 24-48 hours later) I can sand them then brush them down before applying coloured underglazes – usually 2-3 layers hand painted on.
Glazing
They’re then left another 24 hours before having a clear glaze applied on top – again another 3 layers.
Then once they’re dry, I’ll clear any glaze from underneath to help stop them sticking to the kiln shelf .
I’ll score around their eyes and then it’s back into the kiln for the glaze firing. This time the temperature reaches about 1245°C
It can take a good 24-48 hours before the pieces are cool enough to handle.
Then it’s quality check time, and if I’m happy with them, they get a stamp on their bottom, their photo taken and then they’re released back into the wild.
Why choose this piece?
I’ve sculpted this spiky friend to be surprisingly smooth (unlike their real-life cousins!) and just the right size to hold in your hands. Each one gets their own personality as I add their little snouts and eyes, and their toasty biscuit colour reminds me of their soft underbellies.
Getting their shape right was all about capturing that perfectly round hoggy bum and pointy nose. Just like all my pieces, they’re made for holding and stroking – without the spikes!